Lawrence of Arabia is a true epic Hollywood film that brings audiences to another time and place while also managing to be in-your-face with its production value balancing a subtle art and metaphor in a super-long, super-technicolor manner that you don’t seem to mind even though several hours have passed. Lawrence “epitomizes all that motion pictures can be…from Maurice Jarre’s sweeping score to Robert Bolt’s literary script to Freddie Young’s Gorgeous desert cinematography to the literal cast of thousands,” Lean’s beautiful film presents “the follies of colonialism and the hypocrisies of war” as a “true epic with the scope and scale of great literature” (Klein).
We watched the film over several nights, and we were surprised how often we found ourselves gasping out loud, pointing out something huge and amazing to one another, and finding ourselves swept up in the scale and brilliance of a film that deserves every single accolade that has been heaped on it. We promised that when the opportunity to see the film in 4k or 70mm arises that we will drop everything and make the trip. This film is simply definitively moviemaking – tell an original story with a message in a unique way that only cinema can capture. Lean’s film is unparalleled, human, global, and timeless. O’Toole’s performance of the enigmatic and troubled Lawrence is stunning, with his bright blue eyes cutting through the screen the entire film. Just as remarkable was Omar Sharif as Sherif Ali. Lawrence of Arabia is a masterpiece.
I was absolutely floored that I had never seen this film. I knew little about it going into it, and frankly, I was ignorant to what O’Toole was doing in the costume and perhaps that wasn’t dust but unfortunate makeup and a hundred other unfortunate casting decisions right down the line as early Hollywood was wont to do. That said, I was incredibly surprised at what Lean and O’Toole delivered – and I went on to do some research about T.E.Lawrence and learned some really interesting political, social, and personal details about a man whose life was cut way too short.
This film was spectacular. I loved every moment that I spent watching it with Jenn. It is moving, it is huge, it is spectacular, it is exciting, and it is perfect in so many ways. I love that Lean spared no expense, and the fact that it was cast so well with thousands of real actors, it was shot on location at real locations, and there were hundreds of tiny deliberate decisions to make the most perfect film, one can really appreciate that this was a real film without any CGI to pad any aspect of what we were watching in 2017. Everything felt true, from the scorching sun to the horses to the costume and palatial sets, and nothing replaces that.
A magnificent film I wouldn’t mind watching again and again – like a book, it feels like I could toss this DVD in and pick it up wherever I please and watch for twenty minutes or the full three and a half hours, and find the same awe and wonder as the first time I saw it. Looking forward to catching it when it hits theaters again, as it inevitably will.
This movie is majestic in every possible way. I have never (and probably never will again) see a movie like this. Every part of this movie revolves around the desert. It’s the main character, it’s the major problem, and the solution in the narrative.The ability to view the desert of Arabia and so many authentic actors at this time in history is fascinating. I wish I could have really seen this movie in the theater.
Lean brilliantly casts Peter O’Toole, who delivers an impressive performance. The way his character evolves from the beginning to the end of the movie was captivating. Omar Sharif delivers an equally captivating performance.
Omar Sharif perfectly sums up this movie:
“If you are the man with the money and somebody comes to you and says he wants to make a film that’s four hours long, with no stars, and no women, and no love story, and not much action either, and he wants to spend a huge amount of money to go film it in the desert–what would you say?”
In our time, this area of the world is again in the spotlight so there was an added level of relevance to this movie. I really knew nothing about this region at this time in history, and I did a bunch of research on the real Lawrence after watching the film. His story is fascinating on its own. Combined with the authentic setting and perfect casting, the four hours of this film felt like mere moments.